We’ve made some progress on the Whaleboat in the past few weeks. Going has been a bit slow as we have been waiting for our oak to be milled. We’ve made jigs and patterns in preparation.

Vincent and Salim are working from plans to make patterns.

George Clark is working on the pattern for the rudder

We’ve shaped the keel…

and attached it to the Strongback in place

Mystic Seaport sent down planking cedar and green oak for the stem and stern posts and the next couple weeks were filled with milling the cedar.

Jake Davidson and Alex Miller getting the cedar ready for resawing

We’ve also posted a video of resawing the cedar with the jig that Jeff designed.

Once the mess from the cedar milling was done, the crew got to work on bending the stem and stern posts

Stem and Stern post bending jig.

The whole crew gets in on the steam bending action.

While on the jig we drilled and riveted the posts to help them keep their shape.

Nick Pagan and Charles Bernstein getting ready to attach a strap to the post to help it keep it’s bend over time.

Charles Bernstein and Jeff Huffenberger attaching the stem post to the keel. Jeff welded up a bracket to help support and keep it in place while the build happens.

all photos courtesy Gina Pickton

Thanks to Gina Pickton for this update on the progress of the whaleboat build. The captions are all hers and pretty much tell the story. This I think brings us up to about 2 weeks ago, as I can see that work has gone beyond what’s seen here, with molds in place and planking to begin soon.
You can follow the progress on a daily basis by visiting the webcam. More soon!

Originally posted @ Whaleboats for the CW Morgan

All photos courtesy Iain Oughtred

In a discussion with acclaimed small boat designer Iain Oughtred about the taxonomy of certain Norwegian boat types, he casually mentioned that he was involved with a Nordlandsbåt that had recently been discovered on Skye, his home. Piqued my interest, he did. After some wrestling with google translate we more or less resolved that issue and Iain responded to my request for some info on the ‘rescue operation’. It’s a rather interesting story.
Iain contacted Gunnar Eldjarn in Norway to ask for help both in identifying the boat and how to proceed. Gunnar builds traditional Norwegian boats and his website is here. Gunnar identified the boat as a Krumstevning, which he elaborates a bit below. He further named it a Ranværingsboat, a boat built in the Rana area, a little more that halfway up Norway’s west coast. They are dating the boat anywhere from 1840 to 1890, pending further investigation. Iain had originally envisioned a restoration, but Gunnar went on to say:

“It is a krumstevning. A treroring and has had six oars.
A small treroring like this is actually a 2 1/2 room boat with 3 rooms. This is not very special, but is a northern Norwegian specialty.
I see now that it has a very special keel, a gatakjøl which has both the keel an the keelstrake in one peace. This I have heard about, but never seen on a small boat like this.
Then, most of the strakes are probably hewn, and almost impossible to shift, at least very difficult.

I would actually be careful and keep the old boat without much repair, and also use it very little. All the old material is brittle and cant take much beating. Making a copy is a good idea. But it is not a very easy boat to build. But if the old boat is kept untouched, 100 copies may be built and used. If the old one is much repaired, the original is gone. The boat should be thoroughly documented, lots of good pictures, measurements etc.
The boat is worth a lot, not much money, but as a cultural document.
Please take care of the boat.!!!!”

The 18′ x 54″ boat is on the grounds of large estate in southern Skye, a district named Sleat, and the owner contacted Iain at the urging of one Fergus Walker, who I’ve written about before. Lucilla (said owner), Iain, and some other interested parties are in the process of securing a tent to protect the boat from the elements and commencing preservation strategies. A little more from Iain, first a portion of his reply to Gunnar:

“Many thanks for your message. It is a valuable contribution to our quest, and we are privileged to have this authoratative statement which confirms our feeling that this is a rare and special boat that deserves to be cared for properly. And measured up, recorded, photographed, drawn up as Bernhard F would do. That will be my job.“

Plus this to me:

“Lucilla wants to keep her close to home, ultimately on display with all relevant information presented in English, Norwegian and Gaelic.

I have found a nice board of Scots Pine to replace the missing capping piece on the starboard gunwale. And some scraps of oak for missing and damaged bits of frames. We will have tollepinnar (thole pins) for the keip/’kabes’/oarlocks. I got the Norwegian Varnol thin penetrating oil. I hope that Mark Stockl, the boatbuilder from Ullapool, may be able to do much of this work, after setting up the cradle, which will support the hull comfortably all round. She may even need to gently settle into her rightful shape before new pieces are fitted!

I do not think the boat will actually be used. She’s quite fragile. But hopefully we could just launch her and take some nice photographs.” I will see if Lucilla is up for asking Gunnar about a replica that she can play with.

Iain has consented to keeping me updated on progress made good on the ‘bonny wee boat’ and
I’ll be letting you know.

Original article posted @ 70.8% by Thomas Armstrong

Artwork from the logbook of the ship Iris while on its voyage from 1843-1847. The painting depicts a sperm whale upending one of the whaleboats chasing it.

Courtesy Girl on a Whaleship

This detailed painting of the killing of a whale by a whaleboat crew was done on the inside cover of a logbook. The logbook covers two voyages; the ship Alexander Barclay, 1837-1840 and Charles W. Morgan, 1841-1842.

Courtesy Girl on a Whaleship

Diagram ({{Information |Description={{en|1=Side and interior plan of whale-boat equipped with apparatus of capture, &c. Noted on the drawing as Plate 192. sec 5 v ii pp241, 252. not clear why the file name says fig 193.}} |Source=NOAA Photolibrary Image ID: figb01)

Courtesy NOAA

Azorean whaleboat racing

C0urtesy Azorean Whaleboats

The Queen’s Ranger’s whaleboat after its trip from Crown Point to Fort Ticonderoga
(courtesy David Michlovitz)

Courtesy Fort Ticonderoga Brigade

The past–a district Missionary’s whaleboat

In early days the work of the “Southern Cross” was supplemented by the district missionaries in their whaleboats, but in recent year these have been replaced by launches and schooners

Courtesy Anglican History Oceania 1849-1949

from ‘Into the Deep’, a documentary by Ric Burns
The history of the American whaling industry from its 17th-century origins in drift and shore whaling off the coast of New England and Cape Cod, through the golden age of deep ocean whaling, and on to its demise in the decades following the American Civil War.
Find here, and here.

I just happened to catch the airing of this documentary on PBS, I rarely watch TV so it was extremely fortuitous. I was deeply moved and impressed by this work.
Ric Burns is without doubt a most discerning and articulate documentry filmaker. I recommend this film highly. It focuses acutely on the wreck of the Essex, an American whaleship and more generally on American whaling. The wreck of the Essex is reputed to be one of the inspirations for Moby Dick, and the documentary focuses quite a bit on Melville’s celebrated work. Do not miss this!

Courtesy Ric Burns, PBS, and Mystic Seaport

Aquatic Mammals
Caption: Darting Harpoon into Sperm Whale
Image Date 1926
Subject Whaleboats
Whaling
Harpoons
Sperm whale
Image Source Author Cook, John A.
Image Source Title Pursuing the Whale : a Quarter-Century of Whaling in the Arctic
Pub. Info. Boston, MA : Houghton Mifflin Company, 1926
Page No./Plate No. Facing page 8
Digital collection Freshwater and Marine Image Bank
Repository Most materials are located in the University of Washington Libraries. Images were scanned by staff of the UW Fisheries-Oceanography Library
Copyright Materials in the Freshwater and Marine Image Bank are in the public domain. No copyright permissions are needed. Acknowledgement of the Freshwater and Marine Image Bank as a source for borrowed images is requested.
Ordering Information The University of Washington Libraries does not provide reproductions of this image. This record contains a citation for this image. If you want to use the scanned image, acknowledgement of the Freshwater and Marine Image Bank as a source for borrowed images is requested.
Type Image

Courtesy University of Washington Libraries

Courtesy Girl on a Whaleship

From the introduction to ‘ The Whaleboat A study of Design, Construction and Use from 1850 to 1970 by Willits D. Ansel, published by the Mystic Seaport Museum:

The term “whaleboat” properly describes boats used for hunting whales, lthough it has also been applied to other boats having similar features, generally sharp ends. Whaleboats ere used by the thousands aboard American whaleships in the middle of the nineteenth century and, in lesser numbers, aboard the vessels of toher nations and at shore stations around the world. The whaleboat was a double ended, light, open boat with a length at that time of between twenty-seven and thirty-one feet and a beam of slightly more than one-fifth the length. It was pulled by oars and sailed. It was a fine sea boat, not only adapted to its function but also handsome. Though there were variations in size, lines, and construction, the general characteristics were well defined.
The whaleboat was once the most widespread of all small craft. In the late 1800s it was known in the Pacific in such widely separated places as Easter Island, Tasmania, the Bonin Islands and the Aleutians. In the Atlantic, it appeared in the north off Greenland, in the Azores, the Grenadines, and south to Tristan da Cunha and still farther south to Antarctica. In the Indian Ocean it was seen in the Mozambique Channel, Kerguelen Island and Cocos. It was used in the Arctic Ocean at Herschel Island on one side and Spitsbergen on the other. Whaleboats were seen in the most remote places in the sea.
The last voyage of a whaleship that carried whaleboats was in the 1920s. At a few far scattered places the boats continued to be used for shore whaling, as at Tong and Norfolk Island in the Pacific and at Bequia and the Portuguese Islands in the Atlantic. Two whaleboats are still maintained at Bequia and whaling on Pico and Madeira.* In 1969 there was whaling at Fiji. Elsewhere on remote islands the type survived for carrying cargo and passengers.
In the United States, where the whaleboat was carried to its final stage of development and where the boats were build by the thousands, very few remain outside of museums, although an undermined number survive in Alaska.
Much has been written in praise of whaleboats:
Their shape “ensures great swiftness as well as qualities of an excellent seaboat.” 1
The boats were dry and rode “as gracefully as an albatross…for lightness and form, for carrying capacity compared with its weight and sea-going qualities, for speed andfacility of movement at the word of command, for theplacing of menat the best advantage in the exercise of their power, by the nicest adaptation of the varying length of the oar to its position in the boat, and lastly, for a simpicity of construction which renders repairs practicable on ships, the whaleboat is simply as perfect as the combined skill” of generations of boatbuilders could make it. 2

As surf boats the whaleboats were “without rival, better than a lifeboat which is a compromise because it has to carry a larger number of people…The whaleboat was the best seaboat that man could devise with no limits to size, weight, or model. “3 A whaleboat type, locally called a longboat, was adapted on Tristan da Cunha around 1886, after fifteen men were lost in a lifeboat. The longboat coxswains conider their light, canvas covered boats fine surf boats. 4
Howard Chapelle cites the whaleboat’s reputation for good performance under oars and sail under all conditions.5 Others noted their maneuverability and speed and, last but not least, the cheapness of their construction.
Such praise was deserved. However, the whaleboat was the product of compromises, and was excelled in some functions by specialized boats. There were faster pulling boats, such a certain ones used in nineteenth-century smuggling in southern England, and certainly some lifesaving boats were safer in surf or a breaking sea. In terms of all-around performance, however, the whaleboat rated very high.

1. Charles M. Scammon, The Maritime Mammels of the Northewest coast of North America and the Whale Fishery, rev. ed. (Riverside: Manessier Publishing Co., 1969), p.224.

2. William Davis, Nimrods of the Sea, rev. ed. (North Quincy: The Christopher Publishing House, 1972), pp157-58.

3. Clifford W. Ashley, The Yankee Whaler, (Garden City: Halcyon House, 1942), p.59.

4. Notes on the Tristan da Cunha boats were provided by the island’s administrator, J. I. H. Fleming, in 1973.

5. Howard I. Chapelle, The National Watercraft Collection, (Washington, D.C., Goverment Printing Office. 1960), p. 262

* Whaling was banned in the Azores in either 1986 or 1987, even though other small groups of shore based whaling, such as the Inuit and the Bequian whalers were allowed to continue as their whaling is considered ‘indigenous’. It’s my belief that the Azoreans should also be allowed to take whales based on their long standing practice. (ed.)

While not meant to condone the wholesale industrial slaughter of whales by, in particular, Japan and Norway, I do feel the history and development of the whaleboat a legitimate area of inquiry.

Currently I am writing a weblog about the construction of two whaleboats being built to fit out the restoration of the Charles W Morgan underway at Mystic Seaport. The boats are being built to historic standards at both the Indepen